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Trent Reznor published a letter on NIN.com with the results of giving people the choice to pay for Saul Williams' new record \"The Inevitable Rise And Liberation of Niggy Tardust\". He seems disappointed in the lack of people that paid for it, but he forgot four things (that I can think of).He says to \"Keep in mind not one cent was spent on marketing this record.\" I can't prove him wrong, but I can prove I received a few Saul Williams press releases in my inbox. One of them led me to the MP3 linked at the top of this post.As Idolator also pointed out, his statement that \"people knowing about this project must either be primarily Saul or NIN fans, as there was very little media coverage outside our direct influence\", is totally wrong. Not only were press releases sent out (see #1), the release seemed to get a decent amount of post-In Rainbows press. (on the Internet at least)He compares the number of people that downloaded it with the number of people that paid for it. Fine, but you could also theorize that most of the people that didn't pay, only downloaded it BECAUSE it was free - out of curiosity, or for whatever reason (probably the ones who are part of the NIN fanbase).He also doesn't take into account at all, that maybe people just didn't like the album. Would album sales be as low if Pitchfork gave it a 9.9 Probably not.
Keep in mind not one cent was spent on marketing this record. The only marketing was Saul and myself talking as loudly as we could to anybody that would listen.If 33,897 people went out and bought Saul's last record 3 years ago (when more people bought CDs) and over 150K - five times as many - sought out this new record, that's great - rightI have to assume the people knowing about this project must either be primarily Saul or NIN fans, as there was very little media coverage outside our direct influence. If that assumption is correct - that most of the people that chose to download Saul's record came from his or my own fan-base - is it good news that less than one in five feel it was worth $5 I'm not sure what I was expecting but that percentage - primarily from fans - seems disheartening.Add to that: we spent too much (correction, I spent too much) making the record utilizing an A-list team and studio, Musicane fees, an old publishing deal, sample clearance fees, paying to give the record away (bandwidth costs), and nobody's getting rich off this project. 1e1e36bf2d